Washington/CMEDIA: The inaugural Library of Congress Festival of Film and Sound, new four-day film event, the first film festival devoted to showcasing the national library’s film collections would celebrate the Library’s rich moving image and recorded sound collections, was announced last week by the Library of Congress National Audio-Visual Conservation Center.
Held in association with AFI SilverTheatre and Cultural Center, the festival will take place June 15 to 18 at the American Film Institute’s historic theater in Silver Spring, Maryland.
Bringing together film lovers with authors, historians, Library of Congress archivists, curators and staff in a fun-filled weekend, the Library of Congress Festival of Film and Sound would enable attendees to enjoy recently restored and rediscovered rare silent and sound films from the 1920s through the early 1950s in AFI Silver’s beautifully restored 1938 art deco theater.
Featuring many titles currently unavailable on home media or streaming services, the festival will showcase restored archival 35mm prints from the collections of the Library of Congress and other preeminent archives, as well 4K digital presentations of new restorations and rarities. Live musical feature will accompany all silent films
The festival’s screenings will also include presentations, lectures and Q&As with experts in the field of film preservation and history focusing on different aspects of “Music and Sound,” the festival’s inaugural theme.
Topics will include the use of sound effects for characterization or as a narrative device; telling stories using sound instead of dialogue; using music to support melodrama or comedy; and the dramatic use of silence.
The Library of Congress Festival of Film and Sound will launch on the evening of Thursday, June 15, will continue with three full days of programming, featuring screenings, speaker sessions with Q&As and additional festivities and surprises.
Festival passes are now available at AFI.com/Silver for $150.
“The Library of Congress looks forward to sharing these great films from the Library’s collection with audiences at our first Festival of Film and Sound,” said Festival Director David Pierce. “The combination of guest speakers, outstanding films and a program that explores all aspects of music and sound will be a memorable experience and a unique opportunity to learn more about the Library’s treasures.”
The special collaboration between the Library and the American Film Institute was noted by Todd Hitchcock, AFI Silver’s Director of Programming and Associate Director.
“We couldn’t be more excited about collaborating with the Library of Congress to bring this special event to the AFI Silver Theatre,” Hitchcock said. “We are honored to showcase the vital restoration and preservation work done by the Library and other archives.”
Some festival highlights presented in archival 35mm prints will include:
“So’s Your Old Man” (1926). As an addition to the Library of Congress National Film Registry in 2008, this hilarious film stars W.C. Fields as a small-town businessman who invents an unbreakable car windshield as a comedian even without his unique voice.
“Submarine” (1928). Before his famous comedies, Frank Capra directed action films, including this love triangle set against a Navy background, where a potential disaster places duty over loyalty. The director’s humanity is evident in every frame.
“All That Money Can Buy” (1941) is the story of a desperate farmer who sells his soul to the devil (played with glee by Walter Huston) and turns to famed congressman and orator Daniel Webster (Edward Arnold) to get it back. A fantasy film about temptation and regret from German-born director William Dieterle featuring an Academy Award-winning score by Bernard Herrmann.
“Craig’s Wife” (1936). Pioneering woman director Dorothy Arzner made one of her finest films based on the Pulitzer Prize-winning play about a strong-willed woman whose focus on control over her family leads her to risk everything she holds dear. Rosalind Russell brilliantly portrays the title role.
“Memory Lane” (1926) is a poignant story of missed opportunities from master director John M. Stahl. This beautifully acted story of youthful romance coming up against real world practicalities provides a showcase for actress Eleanor Boardman as she has to choose between rival suitors and live with her decision.
“Frenchman’s Creek” (1944) stars Joan Fontaine in this rarely shown Technicolor adventure from top director Mitchell Leisen. Daphne du Maurier’s bestseller follows noblewoman Joan Fontaine, on the run from her husband, who encounters a romantic French pirate, portrayed by Mexican actor Arturo de Córdova. (4K DCP)
“Call Her Savage” (1932). Iconic “It girl” Clara Bow left the 1920s behind with this torrid story about a debutante turned wild woman. Mexican-born actor Gilbert Roland also stars. One of the raciest movies ever to come out of Hollywood, this lurid film is filled with melodrama and debauchery and is one of the definitive “pre-Code films” that later led to censorship of American movies.
“Dark Manhattan” (1937). Charismatic leading man Ralph Cooper also co-produced this ambitious all-Black film about a ruthless gangster’s rise in the numbers racket. Renowned Black actor Clarence Brooks plays the mob boss he pushes aside. (DCP)
“The Lady” (1925) has been unseen in complete form until its recent restoration by the Library of Congress and is a major rediscovery of director Frank Borzage and star Norma Talmadge. (4K DCP)
“Spring Parade” (1940) stars box office sensation Deanna Durbin as a farm girl visiting a romanticized pre-World War I Vienna in search of her dreams. This delightful musical features a wonderful supporting cast of Hollywood’s best character actors, including Mischa Auer, S.Z. Sakall and Franklin Pangborn.
“The Iron Mask” (1929). Douglas Fairbanks Sr.’s farewell to the silent screen was this rollicking and bittersweet swashbuckling action film, the sequel to his hit “The Three Musketeers” (1921). This seldom shown fully restored version includes all three spoken sequences and the original symphonic score.
“State Secret” (1950) is a noir thriller from Hitchcock’s screenwriters Frank Launder and Sidney Gilliat with a Cold War twist. Doctor Douglas Fairbanks, Jr. is brought to an Eastern European dictatorship and goes on the run from commissar Jack Hawkins when he learns a secret that could bring down the government. He teams up with showgirl Glynis Johns and menacing gangster Herbert Lom before being trapped with no way out.
Many more films will be announced later, including comedy shorts, Hollywood Home Movies, a Juneteenth program and a rare Spanish-language feature produced in Hollywood.
The first announced featured speakers include:
María Elena de las Carreras is a Fulbright scholar and film critic from Argentina.
Tracey Goessel – author of the acclaimed biography “The First King of Hollywood: The Life of Douglas Fairbanks” (2015).
Jon Mirsalis – a scientist, film historian and silent film accompanist who has been creating silent film scores for over 40 years.
Steven C. Smith – an award-winning author and four-time Emmy-nominated documentarian.
David Stenn – his writing-producing credits for television span from “Hill Street Blues” to “Boardwalk Empire” and also include “21 Jump Street,” “Beverly Hills, 90210” and “The L Word.” Stenn’s first biography, “Clara Bow: Runnin’ Wild,” became a national bestseller.
Headquartered at the Library’s Packard Campus in Culpeper, Virginia, the Library of Congress National Audio-Visual Conservation Center has its Moving Image and Recorded Sound research centers in Washington, D.C.
As state-of-the-art facility, the Packard Campus acquires, preserves and provides access to the world’s largest and most comprehensive collection of film, television programs, radio broadcasts and sound recordings (loc.gov/avconservation). and home to more than 9.2 million collection items.
The world’s largest library, offering access to the creative record of the United States, the Library of Congress is the main research arm of the U.S. Congress and the home of the U.S. Copyright Office and houses extensive materials from around the world both on-site and online.
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